Glossary of Vibroacoustic
Technology Terms
Essential terminology for understanding vibroacoustic sound therapy technology, equipment specifications, and the science behind the experience.
Understanding the technical specifications of vibroacoustic therapy devices is essential for making an informed purchase decision. If you're new to the field, our complete guide to vibroacoustic therapy provides a thorough overview of the science, history, and applications. See these specifications in action in our device comparison guide.
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40Hz (Gamma Frequency)
A specific frequency in the gamma brainwave band that has become one of the most actively researched targets in neuroscience and neuromodulation. 40Hz neural oscillations are associated with sensory binding (how the brain integrates information from different senses into a unified perception), focused attention, memory consolidation, and cognitive processing. Research led by the MIT Picower Institute has shown that exposing mice to 40Hz sensory stimulation (light, sound, or vibration) reduced amyloid plaques and tau tangles associated with Alzheimer's disease, improved glymphatic clearance (the brain's waste removal system), and recruited immune cells to clear toxic proteins. These findings have led to human clinical trials exploring 40Hz stimulation for neurodegenerative conditions. In vibroacoustic therapy, 40Hz is frequently used as a target frequency in both PureVAT protocols and embedded within musical content. A 2023 study by Suk et al. found that 40Hz vibrotactile stimulation specifically improved motor function in ways not demonstrated with light or sound alone, suggesting the tactile delivery pathway may have unique therapeutic properties. While the translation from animal research to human clinical outcomes is still being established, 40Hz represents the strongest convergence point between neuroscience research and practical vibroacoustic application.
Example: A PureVAT session delivering 40Hz through a vibroacoustic bed targets the same gamma frequency being studied in Alzheimer's clinical trials, though consumer devices cannot verify whether cortical entrainment is actually occurring without EEG monitoring.
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AirPlay 2
Apple's Wi-Fi streaming protocol for sending audio from iPhones, iPads, and Macs to compatible speakers and audio devices. AirPlay 2 offers several advantages over Bluetooth, including higher potential audio quality, multi-room synchronization, and the ability to use the phone for other tasks while streaming continues. However, its actual audio quality is more nuanced than often claimed. The AirPlay 2 protocol is capable of transmitting CD-quality audio (16-bit/44.1kHz), but it does not support hi-res audio. More importantly, Apple Music specifically re-encodes its lossless streams to lossy AAC at 256kbps when sending them over AirPlay 2 from an iPhone or iPad, meaning the "lossless" label in the Apple Music app can be misleading during AirPlay playback. Some third-party apps (such as Roon and Plexamp) can send true lossless CD-quality audio over AirPlay. For vibroacoustic systems, AirPlay 2 still delivers meaningfully better audio quality than standard Bluetooth in most scenarios, but users seeking guaranteed lossless delivery should consider a wired aux connection or protocols like Tidal Connect that bypass the AirPlay compression issue.
Example: Streaming from Apple Music via AirPlay 2 delivers AAC 256kbps (lossy), while the same track played through a wired aux cable from the same phone preserves the full lossless quality.
Amplifier
An electronic device that increases the power of an audio signal to drive speakers or transducers. In vibroacoustic systems, the amplifier determines how much power is delivered to the tactile transducers, directly affecting vibration intensity. Professional-grade amplifiers like the Crown XLS series offer higher power output, lower distortion, and greater reliability than consumer-grade alternatives. For a detailed comparison of amplifiers used in leading vibroacoustic devices, see our device comparison guide.
Example: The Crown XLS 1502 delivers 600 watts RMS, while most competitor systems use 100-300 watt amplifiers.
Audible Sound
Sound frequencies within the range of human hearing, theoretically spanning 20Hz to 20kHz, though actual perception varies significantly by individual and age. The lower end of this range (20-80Hz) is perceived as deep bass rumble, often felt as much as heard. Mid frequencies (250Hz-4kHz) contain most speech and musical detail. Higher frequencies (4kHz-20kHz) provide brightness, air, and spatial cues. Age significantly impacts audible range, particularly at the high end. Most adults begin losing sensitivity above 15kHz by their 30s, with this ceiling dropping progressively. By age 50, many people cannot hear frequencies above 12kHz. Low frequency perception remains relatively stable with age. In vibroacoustic therapy, audible sound delivered through headphones works in conjunction with tactile sound (vibrations felt through the body) to create a complete multisensory experience. The two pathways complement each other: you hear the music while simultaneously feeling its lower frequencies transmitted through the transducers. This dual-pathway approach engages both auditory and somatosensory processing, creating immersion that neither modality achieves alone.
Example: A 25-year-old may hear frequencies up to 17kHz while a 55-year-old perceives the same content with an effective ceiling around 10-12kHz. Both feel the same tactile frequencies through a vibroacoustic bed.
Audio Channels
The number of independent audio signals an amplifier can process simultaneously. A 2-channel (stereo) amplifier can send different signals to different transducer groups, enabling more nuanced vibration patterns. Single-channel (mono) systems send the same signal to all transducers.
Example: A 2-channel system can deliver different frequencies to upper and lower body transducers simultaneously.
Aux Input (Auxiliary Input)
An (i.e. 3.5mm, XLR, TRS) audio jack that allows direct wired connection from external audio sources such as smartphones, tablets, or computers. Provides a reliable, interference-free audio connection without the potential quality loss of wireless transmission.
B
Bass Shaker
A low-cost type of tactile transducer typically designed for home theater or gaming applications. Bass shakers generally have limited frequency response (often 20-80Hz), use mechanical suspension systems, and produce less precise vibrations compared to professional-grade tactile transducers. They are adequate for rumble effects but lack the fidelity required for therapeutic applications. See our device comparison for examples of how bass shakers compare to high-fidelity transducers in commercial vibroacoustic systems.
Example: The Dayton Audio BST-1 is a common bass shaker used in budget vibroacoustic systems.
Binaural Beats
An auditory phenomenon that occurs when two slightly different frequencies are presented separately to each ear through headphones. The brain perceives a third tone, the "binaural beat," at the mathematical difference between the two frequencies. For example, if 200Hz is played in one ear and 210Hz in the other, the brain perceives a 10Hz binaural beat. This perceived frequency can influence brainwave activity through entrainment, guiding the brain toward corresponding states. Binaural beats in the delta range (1-4Hz) promote deep sleep, theta (4-8Hz) supports meditation and creativity, alpha (8-12Hz) encourages relaxation, and beta (12-30Hz) enhances focus and alertness. Stereo headphones are required for binaural beats to work since each ear must receive a distinct frequency. Binaural beats can be combined with vibroacoustic therapy and stroboscopic light for enhanced entrainment effects.
Example: A meditation track using 100Hz in the left ear and 106Hz in the right creates a 6Hz theta binaural beat to support deep meditative states.
Bioacoustics
The scientific study of sound production, transmission, and reception in living organisms. In the context of vibroacoustic therapy, bioacoustics encompasses how sound frequencies interact with biological tissues, how the body perceives and responds to vibration, and how acoustic energy can influence physiological processes. Bioacoustic research informs the development of therapeutic protocols by identifying which frequencies, amplitudes, and durations produce beneficial effects on specific body systems. The field bridges biology, physics, and acoustics to understand phenomena ranging from how cells respond to mechanical vibration to how the nervous system processes tactile sound information.
Bluetooth
A wireless technology for transmitting audio over short distances. While convenient, standard Bluetooth compresses audio data, which can reduce sound quality. Bluetooth 5.0 offers improved range and stability over earlier versions. For highest audio fidelity, Wi-Fi streaming protocols like Spotify Connect or Tidal Connect, or wired connections, are preferred.
Body Transducer
Another term for a tactile transducer. See Tactile Transducer.
Brainwave Entrainment
The process by which external rhythmic stimuli influence the brain's electrical activity, guiding brainwaves toward synchronization with the stimulus frequency. This phenomenon, also called the frequency following response, occurs because neurons naturally tend to align their firing patterns with consistent external rhythms. Entrainment can be induced through auditory stimuli (binaural beats, isochronic tones, rhythmic music), visual stimuli (stroboscopic or flickering light), or tactile stimuli (vibroacoustic vibration). The brain operates at different frequency bands associated with different states of consciousness: delta (0.5-4Hz) for deep sleep, theta (4-8Hz) for meditation and dreams, alpha (8-12Hz) for relaxed awareness, beta (12-30Hz) for active thinking, and gamma (30Hz+) for peak performance and insight. By exposing the brain to stimuli at these target frequencies, entrainment technologies can help guide consciousness toward desired states more reliably than unassisted practice. For an in-depth look at how these technologies work together, see our guide to cyberdelics.
Example: A 10Hz flickering light entrains brainwaves toward alpha frequency, promoting a state of relaxed, calm awareness.
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Class D (Amplifier)
A type of amplifier design that uses rapid switching of transistors to amplify audio signals, achieving significantly higher electrical efficiency (typically 80-90%+) than traditional Class A/B designs (typically 50-65%). Class D amplifiers convert more of the incoming electrical power into useful audio output and waste less as heat, which allows them to be lighter, more compact, and run cooler than equivalent-power Class A/B amplifiers. In vibroacoustic systems, Class D efficiency means more of the wall power reaches the transducers as clean vibration rather than being lost as heat in the amplifier chassis. The Crown XLS 1502, for example, delivers 600 watts from a chassis weighing under 9 pounds, a power-to-weight ratio that would be impractical with older amplifier topologies.
Example: A 600W Class D amplifier draws roughly 250W from the wall at full output, while a comparable Class A/B amplifier might draw 400W or more for the same output.
Closed Ecosystem
A system that restricts users to proprietary content and apps, preventing the use of third-party audio sources or streaming services. Closed ecosystems limit flexibility and create dependency on the manufacturer's continued software support.
Example: A system that only plays content from its own app and doesn't allow Spotify, Apple Music, or personal audio files.
Continuous Power (RMS)
See RMS Power.
Crossover
An electronic filter that divides an audio signal into separate frequency bands, directing specific frequencies to appropriate transducers or speakers. In vibroacoustic systems, a crossover determines which frequencies are sent to the tactile transducers versus headphones. Adjustable crossovers allow users to customize the frequency split point for different content types. See how the signal chain shapes the therapeutic experience for more on why crossover control matters.
Example: A crossover set at 200Hz sends frequencies below 200Hz to the transducers and frequencies above 200Hz to the headphones.
Cyberdelic
A fusion of "cyber" and "psychedelic," referring to technology-assisted experiences that induce altered states of consciousness without the use of substances. Cyberdelic technologies use external stimuli such as stroboscopic light, vibroacoustic vibration, binaural beats, and sensory modulation to guide the brain into specific states naturally. The term encompasses both the technologies themselves and the experiences they produce, which can range from deep relaxation and enhanced meditation to vivid visual journeys that users compare to traditional psychedelic experiences. Unlike substance-induced states, cyberdelic experiences offer complete user control and can be stopped instantly. The combination of vibroacoustic therapy with stroboscopic light entrainment represents one of the most powerful cyberdelic stacks available, addressing both somatic and visual-cognitive dimensions of consciousness simultaneously. For a comprehensive exploration, see our guide to cyberdelics.
Example: A session combining the Zenthesia Sound Therapy Bed 2 with the roXiva RX1 stroboscopic light creates a full cyberdelic experience through synchronized vibration, sound, and light. The Cyberdelic Bundle pairs both devices together.
Cymatics
The study of visible sound vibration patterns, typically demonstrated by observing how sound frequencies cause particles (such as sand, water, or powder) to form geometric patterns on a vibrating surface. Cymatics visually illustrates that different frequencies create distinct, organized patterns. Higher frequencies produce more complex geometries with smaller wavelengths, while lower frequencies create simpler, larger patterns. In vibroacoustic therapy contexts, cymatics is often referenced to conceptualize how sound frequencies might interact with the body's tissues and fluids. While cymatics demonstrates the organizing properties of sound in physical media, its direct therapeutic applications remain an area of ongoing exploration rather than established science.
Example: Sand on a metal plate forms a star pattern at one frequency and shifts to a different geometric pattern when the frequency changes.
D
Damping Factor
A ratio that measures an amplifier's ability to control the movement of a connected speaker or transducer after the audio signal stops. Calculated by dividing the load impedance (typically 8Ω) by the amplifier's output impedance, a higher damping factor means the amplifier can stop a transducer's cone or diaphragm more quickly and precisely, preventing unwanted residual vibration. In vibroacoustic therapy, this translates directly to cleaner, tighter vibrations with better-defined starts and stops. A low damping factor allows transducers to continue vibrating after the signal ends, smearing the tactile experience and reducing the distinction between individual frequencies. Professional amplifiers typically achieve damping factors above 100, while consumer-grade units often fall below 50. The Crown XLS 1502 achieves a damping factor exceeding 200 across the 10Hz to 400Hz range, which covers the primary therapeutic frequency band used in vibroacoustic therapy.
Example: An amplifier with a damping factor of 200 controls transducer movement far more precisely than one with a damping factor of 50, producing vibrations that feel clean and articulate rather than loose and boomy.
dB (Decibel)
A logarithmic unit used to measure sound intensity, signal strength, or noise reduction. In audio specifications, decibels quantify signal-to-noise ratio (SNR) and passive noise isolation. Higher dB values for SNR indicate cleaner audio; higher dB values for noise isolation indicate better blocking of external sound.
Example: Headphones with 32dB passive isolation reduce ambient noise to less than 10% of perceived loudness.
Distortion
Any unwanted alteration of an audio signal that causes the output to differ from the input. In vibroacoustic systems, distortion can manifest as buzzing, rattling, or muddy vibrations that obscure the intended audio content. Distortion typically occurs when amplifiers are pushed beyond their rated capacity, when transducers receive frequencies outside their optimal range, or when low-quality components cannot accurately reproduce the signal. Total Harmonic Distortion (THD) measures this degradation as a percentage. Lower values indicate cleaner reproduction. Professional-grade amplifiers maintain THD below 0.5%, while audiophile headphone amplifiers can achieve THD below 0.01%. High distortion not only reduces audio fidelity but can also diminish the therapeutic effectiveness of vibroacoustic sessions by introducing incoherent vibrations that conflict with the intended frequencies.
Example: An amplifier with 1% THD produces noticeably more coloration than one with 0.5% THD, potentially affecting both sound quality and vibration clarity.
DLNA (Digital Living Network Alliance)
A networking standard that allows media devices to share content over a local network. DLNA-compatible vibroacoustic systems can stream audio from computers, NAS drives, or other networked devices without compression losses associated with Bluetooth.
Driver (Headphone)
The component inside headphones that converts electrical signals into sound. Driver size, measured in millimeters (mm), affects frequency response and sound characteristics. Larger drivers (40-50mm) generally produce fuller bass response, though driver quality matters more than size alone.
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F
Flat Response Curve
An audio reproduction characteristic where all frequencies are reproduced at equal intensity without artificial boosting or cutting. Flat/neutral response curves are preferred for therapeutic applications because they deliver audio content exactly as it was designed, without coloration. Consumer headphones often use "V-shaped" curves that boost bass and treble while recessing midrange frequencies.
Example: The Sennheiser HD 280 PRO has a flat response curve ideal for accurate audio reproduction.
Frequency Following Response (FFR)
The specific neurological mechanism by which the brain synchronizes its electrical activity to match the frequency of an external rhythmic stimulus. When the brain receives consistent stimulation at a specific frequency, whether through sound, light, or vibration, neural oscillations gradually entrain to that frequency. FFR is the mechanism underlying brainwave entrainment and is central to how vibroacoustic therapy, binaural beats, and stroboscopic light technologies influence brain states. The response is strongest when stimulation is delivered through multiple sensory channels simultaneously: combining tactile vibration at 10Hz with a 10Hz flickering light and 10Hz auditory pulsing produces a stronger FFR than any single modality alone. This multi-sensory convergence is one reason the combination of vibroacoustic therapy with stroboscopic light can be so effective for guiding consciousness into specific states. Research on 40Hz gamma entrainment relies directly on the FFR to deliver therapeutic stimulation.
Example: A 10Hz vibroacoustic pulse creates a frequency following response in the brain, gradually shifting neural oscillations toward the alpha band associated with relaxed awareness.
Frequency Generator
A device or software application that produces audio signals at specific, user-defined frequencies. Frequency generators allow practitioners to create precise tones for targeted therapeutic applications rather than relying solely on pre-recorded music or content. They can output single frequencies (pure tones), frequency sweeps (gradually changing pitch), or combinations of frequencies. In vibroacoustic therapy, frequency generators enable customized protocols targeting specific therapeutic goals, though most users rely on professionally designed content that incorporates appropriate frequencies within musical compositions for a more pleasant experience.
Example: A frequency generator set to 40Hz produces a continuous low tone that can be felt as steady vibration through a vibroacoustic bed.
Frequency Response
The range of frequencies a device can reproduce, measured in Hertz (Hz). For tactile transducers, a wider frequency response means more therapeutic content can be accurately delivered. Human hearing ranges from approximately 20Hz to 20kHz; tactile sensation extends below 20Hz into the infrasonic range. Our device comparison details how frequency response varies across leading vibroacoustic systems.
Example: A transducer with 10Hz-1000Hz response can reproduce deeper infrasonic frequencies than one limited to 20Hz-80Hz.
Full-Spectrum (Tactile)
A vibroacoustic system capable of reproducing the complete range of tactile frequencies humans can perceive, typically from infrasonic frequencies below 20Hz up to approximately 1000Hz. Full-spectrum systems deliver a more complete therapeutic experience by addressing different body areas and tissue depths simultaneously. Deep infrasonic vibrations stimulate the core and organs, mid-range frequencies address muscles and joints, and higher tactile frequencies create skin-surface sensation. Systems with limited frequency response (such as those restricted to 20-80Hz) can only deliver a fraction of the full tactile experience.
Example: A full-spectrum system with 10Hz-1000Hz response versus a bass-shaker system limited to 20-80Hz.
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Gate Control Theory
A model of pain modulation proposed by Melzack and Wall in 1965, explaining how non-painful sensory input can reduce the perception of pain. The theory proposes that large-diameter nerve fibers carrying touch, pressure, and vibration signals can inhibit the transmission of pain signals carried by smaller-diameter fibers at the spinal cord level, effectively "closing the gate" on pain. In vibroacoustic therapy, the full-body vibration delivered through transducers activates large-diameter mechanoreceptor fibers across the entire body surface, which may compete with and suppress nociceptive (pain) signaling. This is one of the proposed mechanisms behind vibratory analgesia, and it helps explain why many people experience reduced pain perception during and after vibroacoustic sessions. Research by Salter and Henry has identified an additional mechanism: vibration at certain frequencies triggers adenosine release, which suppresses pain neurons in the spinal cord for up to four hours after stimulation ends. For more on how vibration reduces pain through these pathways, see our comparison of vibroacoustic therapy and vibration plates.
Example: During a vibroacoustic session, the constant vibration across the back and torso activates touch and pressure fibers that compete with chronic pain signals at the spinal cord, reducing perceived pain intensity.
H
Harmonic Resonance
The phenomenon where an object or system vibrates with increased amplitude when exposed to frequencies that match or harmonically relate to its natural resonant frequency. In the context of the human body, harmonic resonance refers to the theory that different tissues, organs, and body systems have characteristic frequencies at which they naturally vibrate, and that exposure to these frequencies through vibroacoustic therapy may support optimal function. While every physical structure has resonant properties, the therapeutic application of harmonic resonance to the body remains an area of active exploration. Proponents suggest that specific frequencies can "resonate" with corresponding body areas to promote relaxation, circulation, or cellular activity, though scientific validation of specific frequency-to-organ relationships continues to develop.
Example: A tuning fork vibrates more intensely when another fork of the same frequency is struck nearby, a demonstration of resonance that some practitioners conceptually apply to body-frequency relationships.
Harmonics
Frequencies that are whole number multiples of a fundamental frequency. When a note is played at 100Hz (the fundamental), harmonics occur at 200Hz (2nd harmonic), 300Hz (3rd harmonic), 400Hz (4th harmonic), and so on. Harmonics are what give instruments and sounds their unique character or timbre. A piano and a guitar playing the same note sound different because of their distinct harmonic content. In vibroacoustic therapy, harmonics are significant because playing a low fundamental frequency simultaneously generates higher frequency content that extends the tactile experience across a broader range of the body. A 40Hz tone rich in harmonics will produce vibrations not only at 40Hz but also at 80Hz, 120Hz, 160Hz, and beyond. This creates a fuller, more complex sensation compared to a pure sine wave at a single frequency. Systems with wider frequency response can reproduce more of these harmonics, contributing to a richer and more immersive vibroacoustic experience.
Example: A cello playing a 100Hz note produces harmonics at 200Hz, 300Hz, 400Hz, and higher, all of which contribute to the instrument's warm, rich tone and create layered tactile sensations when played through a vibroacoustic system.
Headphone Amplifier
A dedicated amplifier designed specifically to drive headphones. Separate headphone amplifiers typically offer superior audio quality compared to integrated amplifier circuits, with lower distortion, higher signal-to-noise ratios, and sufficient power to drive high-impedance audiophile headphones.
Example: The JDS Labs Atom AMP 2 delivers THD below 0.01% and SNR of 124dB.
Heart Rate Variability (HRV)
The variation in time intervals between consecutive heartbeats, measured in milliseconds. Contrary to what the name might suggest, higher HRV is generally a sign of health and resilience, indicating that the autonomic nervous system can flexibly shift between sympathetic (activation) and parasympathetic (recovery) states. Lower HRV is associated with chronic stress, anxiety, and reduced adaptive capacity. HRV is one of the most commonly used biomarkers in vibroacoustic therapy research because it provides an objective, measurable indicator of parasympathetic nervous system activation. Multiple studies have found increased HRV during and after vibroacoustic sessions, suggesting that the vibration promotes a shift toward the parasympathetic "rest and digest" state. HRV can be measured with clinical-grade ECG equipment or consumer wearables like chest straps and smartwatches, making it accessible for both research and personal tracking of session effects.
Example: A vibroacoustic therapy session that increases HRV from a baseline of 35ms RMSSD to 55ms RMSSD indicates a meaningful shift toward parasympathetic dominance and nervous system recovery.
Hertz (Hz)
The unit of frequency measurement representing one cycle per second. Audio frequencies are measured in Hz and kilohertz (kHz, equal to 1,000 Hz). Lower Hz values represent deeper bass frequencies; higher values represent treble frequencies. Infrasonic frequencies below 20Hz can be felt but not heard.
Example: 10Hz is an extremely low frequency felt as deep vibration; 10kHz is a high-pitched tone.
High-Fidelity (Hi-Fi)
Audio reproduction that accurately represents the original recording with minimal distortion or coloration. High-fidelity components prioritize accuracy over artificially enhanced sound characteristics. In conventional audio, hi-fi means what comes out of the speaker matches what went into the recording. The same principle applies to tactile transducers, where fidelity determines whether the vibrations you feel faithfully represent the source material or a simplified approximation of it. See High-Fidelity Tactile Transducer for how this applies specifically to vibroacoustic systems.
High-Fidelity Tactile Transducer
A tactile transducer engineered to reproduce complex audio signals as physical vibration with the same precision you would expect from a quality studio monitor. This requires four capabilities that distinguish high-fidelity transducers from budget bass shakers. First, a linear frequency response without resonant peaks that artificially emphasize certain frequencies. Second, a wide enough bandwidth to capture the full range of tactile content in the source material. Third, the ability to reproduce polyphonic signals (multiple simultaneous frequencies) cleanly without individual elements collapsing into indistinct vibration. Fourth, transient responsiveness: the ability to accurately track rapid changes in the audio signal, such as the attack of a drum hit, the pluck of a bass string, or a sudden dynamic shift in a composition. A sluggish transducer smears these transients into soft, delayed vibrations that lag behind the music, while a responsive one preserves the sharp edges and timing that make the tactile experience feel alive and synchronized with what you hear. Budget bass shakers typically fail on all four counts: their mechanical suspensions introduce resonant peaks and sluggish transient response, their narrow frequency response (often 20-80Hz) truncates the vast majority of musical content, and their limited fidelity turns complex passages into muddy, undifferentiated rumble. The SA2-HFT150 from Shed Audio Research represents the opposite approach: reactive suspension technology eliminates resonant peaks and enables fast, accurate transient tracking, the 10Hz to 1000Hz frequency response captures the full tactile spectrum, and the transducer cleanly separates simultaneous instruments and frequencies so you feel the music as it was composed, not a simplified approximation of it.
Example: Playing a full orchestral piece through a bass shaker produces a vague low rumble. Playing the same piece through a high-fidelity tactile transducer lets you feel the cellos, timpani, and bass independently, with each instrument's texture and dynamics preserved.
High-Resolution Audio (Hi-Res Audio)
Audio that exceeds the quality of standard CD audio (16-bit/44.1kHz), typically defined as 24-bit depth and sample rates of 48kHz or higher (commonly 96kHz or 192kHz). Higher bit depth captures more dynamic range and subtle volume gradations, while higher sample rates preserve more detail in high frequencies. In vibroacoustic applications, high-resolution audio offers greater precision in the low-frequency content that drives tactile transducers, potentially delivering smoother, more nuanced vibrations compared to compressed formats like MP3 or standard Bluetooth audio. To benefit from hi-res audio, the entire signal chain must support it, from the source file through the streaming protocol, amplifier, and transducers. Tidal Connect and DLNA can transmit high-resolution audio wirelessly, while AirPlay 2 is limited to CD quality (16-bit/44.1kHz) and standard Bluetooth cannot deliver lossless audio at all. A wired connection remains the most reliable path for hi-res content.
Example: A 24-bit/96kHz audio file contains significantly more data than a 16-bit/44.1kHz CD or a 320kbps MP3, preserving subtle details that may enhance the vibroacoustic experience.